In The Final Days, producer-director Patty Ivins chronicles Monroe’s final, aborted feature film, Something’s Got to Give, which was ultimately shut down after the star was dismissed from the production. Beyond Monroe’s fragile emotional and physical health, this well-crafted profile examines the financial crisis facing her studio as well as the mounting frustration of meticulous director George Cukor and his cast, including costar Dean Martin, as Monroe’s absences drove the shoot over budget. The documentary concludes with a 40-minute reconstruction of footage completed for the feature, which would subsequently be reshot as a vehicle for Doris Day and James Garner, Move Over, Darling.
2001, 117 minutes